People who see me drawing often remark that they wish they could draw better. I hear this from my students fairly often. My response is simple: “Draw.” A lot of people who should don’t consider drawing to be all that important. They’re designers or photographers and don’t understand the technical and observational acumen that results from drawing and how it will enhance their design skill or photographic eye.
Drawing slows you down. When you draw, you’re taking time to look at something, to analyze it and reproduce it. You’re not simply setting up to capture it and move on to the next image. You become very aware of form, proportion and color. You come to understand light and shadow and how they reveal and define form. This awareness translates to any visual pursuit.
For those who want to draw better, here are a few recommendations:
1. Go draw something. Repeat.
Practice leads to improvement. You won’t get any better unless you engage in the attempt. The more you draw the more confident you’ll become.
2. Look at drawings.
Whether simple line drawings or meticulously detailed renderings, you can learn a lot from looking at the work of others. How did they use line and shape? How did they shade?
3. Draw from drawings.
This may sound peculiar, but what can you learn by copying a Da Vinci or Michaelangelo sketch? Tons. Learn from the masters by copying them. Really. They won’t mind.
4. Draw from photographs.
For many, it’s easier to reproduce an image that’s already two-dimensional than to reproduce an actual object, person or environment. When you’re working from photos, look at edges, shapes and angles. Don’t trace. Draw. Keep in mind that many photographs include distorted shapes, scale, and proportions. Use photos as reference, but pursue accurate proportions.
5. Draw from life.
If you’re just starting out, pick simple objects and work your way up to complex ones. Go ahead and try your and at drawing people and your pets. Draw your furniture and your living spaces. Do you enjoy coffee? Draw your coffee cup. Here’s a challenge: draw your hand. Hands and feet are the most complex parts of your anatomy and are readily available subject matter. If you can master these, you’ll pretty much be able to draw anything.
6. Take a class.
A class will keep you accountable. A teacher will correct your weaknesses. Watching others draw is immensely beneficial for building your own observational skills. Where do you find a class? Check your local university extension, community adult school, YMCA or community college. Another source is your local art supply store, where artists post notices of drawing meet-ups, uninstructed sessions with models, or private instruction.
Try my 30-Day Drawing Challenge.
7. Keep a sketchbook. Meaning, keep it with you, open it up and work at filling it. It will serve as a reminder to grab your pencil or pen and do some drawing. For your convenience, I’ve included links to some of my recommended drawing gear — pencils, pens, sketchbook, and figure mannequin — in this article.
When you draw, you’re taking time to look at
something to analyze it and reproduce it.
8. Be intentional. This is the hardest thing, because if you want to improve at anything, you must decide to do it. You need to make a commitment and even schedule regular time in your week or your day to pursue drawing. In order to become better at it you need to make a habit of it.
I think it’s also important to understand why you desire or need to draw. For me, it supports my work, but it’s also something that provides a lot of pleasure and relaxation. I simply enjoy drawing. It’s foundational to my painting and my design, and it’s foundational to who I am. I find that drawing something or someone makes that thing or person more important to me. As I come to understand the thing as I draw it, I can perceive how it was formed and why. That leads to greater perceptions altogether.
And for those who tell me that they can’t draw a straight line, I can’t, either. I use a ruler for that.
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