Value Key
Value key is perhaps the most obvious. Because we see primarily based on changes in value, it’s the strangest of the seven color contrasts and doesn’t require chroma. To determine the value key we ask, “Is the image dominantly light or dark, or are most of the colors in the middle range of the value scale?”
High key means most of the colors are low in value or light (tints, pastels, whites). Low key refers to images and designs made of mostly dark colors (shades, blacks.) This results in a heavy, moody, and even sinister feel. Mid-key means that most of the colors fall into the mid-value range for a more neutral feeling.
Value key differences in the same pattern. The color way on the left is low key, with the greater proportion of colors being dark and high in value. On the right is the pattern using high key (low value) colors. The actual color scheme is the same in both designs — monochromatic.
Temperature Key
Temperature is another color key that’s easy to observe. Are the colors used predominantly warm or cool? Even in a full-spectrum use of color, the overall effect can tend toward warmth or coolness. Wishing hue families each color as an inherent perceived temperature. For example, ultramarine blue is a cool blue, while cyan (pthalocyanine blue) is warm in temperature.
The design on the left uses hues and colors from the cool side of the color wheel, while the version on the right uses warm colors and hues. There’s a distinct difference in personality between the two. The warm color way appears “closer”. It advances. In contrast, the cool color way recedes and feels more distant.
Saturation Key
The distinct saturation contrast between these two color ways is a worthy example of how color keys can be used to set the tone or mood of a piece. On the right the color palette is bright, bouncy, high energy. It grabs your attention. On the left, the earth tones and gray convey a warm but quiet presence.
Hue Key
These two color ways represent how the use of a single color to influence throughout a design creates different visual results. On the left cyan blue is the key color, and the result is a quieter sense compared to the righthand color way, which uses green as the influencing hue. Both green and blue are cool hues. You can observe how all the colors in each are unified by the influencing color.
